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HUMAN COMPUTER INTERACTION IN MUSIC

An introduction with a focus on improvisation

Alkis Nicolaides
HUMAN COMPUTER INTERACTION IN MUSIC: An introduction with a focus on improvisation
DESCRIPTION

Music and technology are inseparable. Advancement in the development of instruments and interfaces for musical expression is directly linked with the birth of new musical traditions. Emerging technologies have given musicians the ability to record, produce, and manipulate their work, from the comfort of their bedroom. Aside from being a tool for recording music, computers can be used as instruments. Unlike conventional instruments the computer can take many forms. Some instruments are fully reliant on a performer’s actions and will always work in a specific manner, while other instruments can actually perform without any input and can be multidimensional in their function and/or interaction. During this presentation various approaches of interactivity are explained, through a brief overview on the approach David Wessel, George Lewis, and David Rosenboom have taken while designing their interactive computer instruments.

Alkis Nicolaides
Alkis Nicolaides

Alkis Nicolaides is a guitarist, improviser, composer, and educator from Nicosia, Cyprus. His original work takes many forms and it is influenced by a wide array of musical traditions. Performances of original explosive jazz-influenced metal music – battle jazz – ASMR cooking performance art, contemporary western art chamber music, music for home appliances, and improvised duets with his pseudo-AI computer instrument named Challenger. His interest, in exploring many styles and performance methods, is rooted to Edgar Varese’s definition of music: “What is music but organized noise?” and on David Rosenboom’s words:“What is music? I hope we never see a day when we believe we know the answer. For that day would close down music as a viable art form.”

HUMAN COMPUTER INTERACTION IN MUSIC

An introduction with a focus on improvisation

Alkis Nicolaides
HUMAN COMPUTER INTERACTION IN MUSIC: An introduction with a focus on improvisation
DESCRIPTION

Music and technology are inseparable. Advancement in the development of instruments and interfaces for musical expression is directly linked with the birth of new musical traditions. Emerging technologies have given musicians the ability to record, produce, and manipulate their work, from the comfort of their bedroom. Aside from being a tool for recording music, computers can be used as instruments. Unlike conventional instruments the computer can take many forms. Some instruments are fully reliant on a performer’s actions and will always work in a specific manner, while other instruments can actually perform without any input and can be multidimensional in their function and/or interaction. During this presentation various approaches of interactivity are explained, through a brief overview on the approach David Wessel, George Lewis, and David Rosenboom have taken while designing their interactive computer instruments.

Alkis Nicolaides

Alkis Nicolaides is a guitarist, improviser, composer, and educator from Nicosia, Cyprus. His original work takes many forms and it is influenced by a wide array of musical traditions. Performances of original explosive jazz-influenced metal music – battle jazz – ASMR cooking performance art, contemporary western art chamber music, music for home appliances, and improvised duets with his pseudo-AI computer instrument named Challenger. His interest, in exploring many styles and performance methods, is rooted to Edgar Varese’s definition of music: “What is music but organized noise?” and on David Rosenboom’s words:“What is music? I hope we never see a day when we believe we know the answer. For that day would close down music as a viable art form.”